C. PLĪNIUS CALPURNIAE HISPULLAE SUAE S.

(1) Cum sīs pietātis exemplum, frātremque optimum et amantissimum tuī parī cāritāte dīlēxeris, fīliamque eius ut tuam dīligās, nec tantum amitae eī affectum vērum etiam patris āmissī repraesentēs, nōn dubitō maximō tibi gaudiō fore cum cognōveris dignam patre dignam tē dignam avō ēvādere. (2) Summum est acūmen, summa frūgālitās; amat mē, quod castitātis indicium est. Accēdit hīs studium litterārum, quod ex meī cāritāte concēpit. Meōs libellōs habet lēctitat ēdiscit etiam. (3) Quā illā sollicitūdine cum videor āctūrus, quantō cum ēgī gaudiō afficitur! Dispōnit quī nūntient sibi quem assēnsum, quōs clāmōrēs excitārim, quem ēventum iūdiciī tulerim. Eadem, sī quandō recitō, in proximō discrēta vēlō sedet, laudēsque nostrās avidissimīs auribus excipit. (4) Versūs quidem meōs cantat etiam fōrmatque citharā, nōn artifice aliquō docente sed amōre, quī magister est optimus. (5) Hīs ex causīs in spem certissimam addūcor perpetuam nōbīs maiōremque in diēs futūram esse concordiam. Nōn enim aetātem meam aut corpus, quae paulātim occīdunt ac senēscunt, sed glōriam dīligit. (6) Nec aliud decet tuīs manibus ēducātam, tuīs praeceptīs īnstitūtam, quae nihil in contuberniō tuō vīderit, nisi sānctum honestumque, quae dēnique amāre mē ex tuā praedicātiōne cōnsuēverit. (7) Nam, cum mātrem meam parentis locō verērēre, mē ā pueritiā statim fōrmāre, laudāre, tālemque, quālīs nunc uxōrī meae videor, ōminārī solēbās. (8) Certātim ergō tibi grātiās agimus, ego quod illam mihi, illa quod mē sibi dederis, quasi invicem ēlēgeris. Valē.

    Pliny writes a letter to the aunt and guardian of his third wife, Calpurnia, about how much he loves her. 

    Calpurniae Hispullae: Calpurnia Hispulla, daughter of Calpurnius Fabatus, and aunt of Calpurnia, Pliny's second (or third) wife, whom Hispulla had brought up. The fact of her having been brought up by her aunt makes it probable that her mother, as well as her father, must have died when she was a child (Prichard).

    (1) Cum sīs ... dīlēxeris ... dīligās ... repraesentēs: cum causal clauses, looking forward to the main clause, nōn dubitō.

    exemplum: "model."

    optimum et amantissimum: "excellent and highly devoted.”

    tuī: objective genitive with amantissimum, “most loving of you,” "highly devoted to you."   

    parī cāritāte: ablative of manner, “with equal tenderness.” Calpurnia Hispulla’s brother loved her as well as she loved him. 

    ut: sicut. 

    nec tantum ... vērum etiam: "not merely ... but also."

    affectum: "devotion," "love." OLD affectus 7. Direct object of repraesentēs.

    āmissī: "deceased."

    maximō tibi gaudiō: "a source of great joy for you," double dative. AG 382

    fore: = futūrum esse (AG 170.a), "that it will be," indirect statement after nōn dubitō

    dignam ... dignam ... dignam: the anaphora and lack of connectives (asyndeton) convey lively emotion.

    ēvādere: “that (she has) turned out to be.” LS evado 6. 

    (2) Summum est acūmen: supply (dative of possession). Acūmen (or more fully, acūmen ingeniī) suggests astuteness, shrewdness, and good judgement (OLD acumen 4). "She is highly intelligent" (Radice).

    frūgālitās: suggests sober habits and self-restraint, as well as careful management of the household finances.

    Accēdit hīs: “comes in addition to these (virtues).” The subject is studium litterārum. LS accedo II.B.2. 

    ex meī cāritātemeī is an objective genitive, “out of affection for me.” 

    concēpit: the word is apt and vivid here, for it is often used of the conception of a child (Poteat).

    Meōs libellōs habet: we hear more about Calpurnia collecting Pliny’s speeches in 6.7

    lēctitat: “she reads (them) again and again.” “She pores over them.”

    ēdiscit etiam: “she even learns them by heart.”

    (3) Quā illā sollicitūdine: bring the afficitur from the next clause into this clause. 

    āctūrus: supply causam (Poteat).

    cum videor āctūrus: supply esse, “whenever I seem to be about to deliver (a speech).” LS ago II.D. 

    cum ēgī: “whenever I have given (a speech).” 

    Dispōnit: supply servōs, or cursōrēs—'runners,' to report to her from on her husband's success in court.

    quī nūntient sibi: the antecedent is the assumed servōs; nuntient is subjunctive in a relative clause of purpose (quī = ut). AG 531.2.

    quem assēnsum: take excitārim with this clause as well. 

    in proximō: adv. “nearby.” 

    discrēta vēlō: the matchless Calpurnia sits discreetly behind a curtain while her husband recites
    his works to his friends (Poteat).

    laudēsque nostrās: a case of Pliny’s use of the royal we, but also works if you think of them as a couple and Calpurnia getting a share in his glory. 

    (4) fōrmatque citharā: “sets them (to music) with the cithara.” OLD formo 3. A fresco of Apollo playing the kithara was found in a building in the Forum of Rome dating to the Augustan period.

    Modulārī is the more technical word in this sense (Church). 

    (5) in spem certissimam addūcor: + indirect statement. 

    nōbīs: dative with perpetuam. 

    in diēs: “day by day,” “daily.” 

    aetātem meam: one of the direct objects of dīligit. Pliny was around forty years old at this point.

    Calpurnia was much younger than her husband who was now in his forties, and he admits with admirable frankness that his wife does not love him for his youth or his beauty of which he has progressively less and less (Poteat).

    quae paulātim occīdunt ac senēscunt: plural because his aetātem and his corpus are both likely only going downhill from here. 

    glōriam diligit: this remark is really too complacent and pompous for words (Poteat).

    (6) Nec aliud decet: “nothing else would be fitting (for a woman).”

    contuberniō: contubernium, properly a military term ("a dwelling together in a tent"), was used by the post-Augustan writers to denote specially the society and friendship of a teacher (Church).

    amāre mē ex tuā praedicātiōne cōnsuēverit: “(someone who) is inclined to love me because of your proclamation.” Pliny claims that Calpurnia loves him because her aunt set them up.

    (7) cum mātrem meam parentis locō verērēre: causal cum-clause. Supply an in with parentis locō.

    fōrmāre: "to train, influence" (Wescott). Supply solēbās with this infinitive.

    laudāre: supply mē from the previous clause. Supply solēbās with this infinitive as well. 

    tālemque: take as the direct object of ōminārī solēbās, “and you were accustomed to predict (that I would become) just the sort (of man).” Correlative with qualis.

    ōminārī: "to predict that I would be" (Wescott).

    (8) agimus: the “we” in question is Pliny and his wife, Calpurnia. 

    invicem: "in turn," i.e. first a wife for Pliny, then a husband for Calpurnia (Prichard).

    amāns –antis: loving, fond

    cāritās cāritātis f.: dearness, love

    amita –ae f.: paternal aunt

    affectus –ūs m.: affection, attachment, love

    repraesentō –āre: to exhibit, display

    avus avī m.: grandfather

    ēvādō ēvādere ēvāsī ēvāsus: to end up, turn out as, emerge

    acūmen acūminis n.: intelligence 2

    frūgālitās –ātis f.: thriftiness, self-restraint

    castitās castitātis f.: integrity, uprightness; sexual purity, chastity

    indicium indici(ī) n.: evidence

    concipiō concipere concēpī conceptum: to produce, conceive

    libellus libellī m.: little book, document

    lectitō –āre: read repeatedly, be in the habit of reading

    ēdiscō –discere –didicī: to learn thoroughly, study

    sollicitūdō –inis f.: anxiety 3

    dispōnō dispōnere dispōsuī dispōsitus: to place, arrange, distribute

    nūntiō nuntiāre nuntiāvī nuntiātus: to announce

    adsēnsus –ūs m.: approval, applause

    excitō excitāre excitāvī excitātus: to cause

    ēventus ēventūs m.: result

    recitō recitāre recitāvī recitātus: to read aloud (poetry)

    discrētus–a –um: set apart, separate

    vēlum vēlī n.: curtain

    avidus –a –um: keen, enthusiastic

    versus versūs m.: line (of poetry) 4

    cantō cantāre cantāvī cantātus: to sing, play

    fōrmō fōrmāre fōrmāvī fōrmātus: to set to music

    cithara –ae f.: the cithara or lyre, ancient stringed musical instrument from the yoke lutes family. 

    artifex –icis m.: an artist

    concordia concordiae f.: agreement, harmony 5

    paulātim: gradually

    occidō occidere occidī occāsus: to go downhill

    senescō senescere senuī: to grow old, deteriorate

    ēducō –āre –āvī –ātum: to bring up educate 6

    contubernium –ī n.: companionship

    praedicātiō –ōnis f.: commendation

    cōnsuēscō cōnsuescere cōnsuēvī cōnsuētus:  to be accustomed to

    pueritia pueritiae f.: boyhood 7

    ōminōr –ārī –ātus sum: to predict

    certātim: with striving or contention

    invicem: alternately 8

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