Eimmart: The Trojan fleet burns

    Aeneas hurries forward, the Trojan women having set fire to the ships; Iris is in the clouds in front of a rainbow with a torch in her hand.

    Aeneas eilt herbei, als die trojanischen Frauen Feuer an die Schiffe gelegt haben; in den Wolken vor einem Regenbogen Iris mit einer Fackel in der Hand. (Suerbaum)

    Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 20.

     

     

    Comments

    Iris, having incited the Trojan women to burn the ships, holds a burning torch and flies away in front of her telltale rainbow (657-658). Aeneas, wearing a long cloak, rushes forward towards his ships, which are all blazing. (Lucy McInerney)

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    Date
    1688
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    21.86x16.92cm
    Inscription
    Lib. V. Aen: v. 658. Quum dea se paribus per coelom sustulit alis/ Ingentemque fuga secuit sub nubibus arcum/ usque 677.
    Location
    Bavarian State Library, Munich
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    Eimmart: The games in Sicily

      Aeneas sets out the prizes for the games.

      Aeneas stellt die Preise für die Wettspiele aus. (Suerbaum)

      Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 19.

       

       

      Comments

      Vergil describes this scene at 109-112: Munera principio ante oculos circoque locantur/ in medio, sacri tripodes viridesque coronae/ et palmae pretium victoribus, armaque et ostro/ perfusae vestes, argenti aurique talenta. In the central background the eye is drawn to four ships on the horizon, the four ships that take part in the race, Mnestheus’ Pristim, Gyas’ Chimaera, Sergestus’ Centaur, and Cloanthus’ Scylla, all described from lines 114 through 123. (Lucy McInerney)

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      1688
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      Inscription
      Lib: V. Aen: v. 109. Munera principio ante oculos, cirocque locantur/ In medio: - -
      Location
      Bavarian State Library, Munich
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      Eimmart: Aeneas sacrifices at the tomb of Anchises

        Aeneas sacrifices at the tomb of Anchises, a giant snake winds around the altar; there is horror in the spectators.

        Aeneas opfert am Grabe des Anchises, eine riesige Schlange windet sich um den Altar; Entsetzen bei den Zuschauern. (Suerbaum)

        Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 18.

         

         

        Comments

        Aeneas wears a myrtle wreath (72) as he retreats from the giant snake curled round the offerings at Anchises’ tomb. On the ground are rose petals (flores purpureosque, 79) and many dishes and vessels that had been holding Aeneas’ offerings of blood and milk (78). (Lucy McInerney)

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        1688
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        21.86x16.92cm
        Inscription
        Lib. V. Aen: v. 70. Cuncti adsint, meritaeque expectent praemia palmae:/ Ore favete omnes, et cingite tempora ramis.
        Location
        Bavarian State Library, Munich
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        Eimmart: Dido's Suicide

          Dido stabs herself on the funeral pyre and Iris flies to cut off a lock of her hair; around the pyre are lamenting women.

          Dido ersticht sich auf dem Scheiterhaufen, Iris fliegt herbei, um ihr eine Locke abzuschneiden; ringsum klagende Frauen. (Suerbaum)

          Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 17.

           

           

          Comments

          This engraving centers on Dido’s suicide, the planning and execution of which take up the better part of Book IV. She sits on the pyre built at line 504, which appears exactly as she describes it from 494 through 497. It is open to the breezes (tu secreta pyram tecto interior sub auras erige 494-5) and Aeneas’ abandoned armor (helmet, shield, and breastplate) lies beside her. All the Carthaginians in the picture are lamenting, and Anna is behind her sister, rending her hair in grief. Dido herself appears calm, as she stabs herself. Above her is Iris, leaning on her rainbow as she cuts a lock of Dido’s hair, thus allowing her to die (704). In the distant background on the right appear ruins- perhaps Carthage, the building project stalled since the arrival of Aeneas (86-89). (Lucy McInerney)

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          1688
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          21.86x16.92cm
          Inscription
          Lib. IV. Aen: v. 659. Dixit: et os impressa toro, Moriemur multae?/ Sed moriamur ait. Sic? Sic iuvat ire sub umbras./ usque 695.
          Location
          Bavarian State Library, Munich
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          Eimmart: Anna begs Aeneas to stay

            Anna delivers Dido's request to Aeneas that he should remain in Carthage longer; Mercury stops up Aeneas’ ears.

            Anna überbringt dem Aeneas die Bitte Didos, er möge noch länger in Karthago bleiben; Merkur halt Aeneas die Ohren zu. (Suerbaum)

            Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 16.

            Comments

            Anna stands in the center of the engraving, her hands clasped in supplication. Aeneas is preparing to leave: his spear and shield lie on the ground behind him, his helmet just to his left, and he is in the act of buckling on his sword belt. Mercury, recognizable by his winged helmet, floats above Aeneas and stops up his ears, as at line 440 (fata obstant placidasque viri deus obstruit auris.) (Lucy McInerney)

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            1688
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            21.86x16.92cm
            Inscription
            Lib. IV. Aen. v 437. Talibus orabat: talesque miserrima fletus/ Fertque refertque soror/ usque 440.
            Location
            Bavarian State Library, Munich
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            Eimmart: Dido and Aeneas go on a hunt

              Dido and Aeneas ride out to hunt; a driver holds a pack of hounds.

              Dido und Aeneas reiten zur Jagd aus; ein Treiber halt eine Koppel Hunde. (Suerbaum)

              Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 15.

              Comments

              Dido carries a quiver and looks over her shoulder at Aeneas, carrying a spear. A dog handler, with hounds in hand, looks back at the hunters. Carthage sprawls in the background and in the harbor in the distance can be seen the Trojan fleet. (Lucy McInerney)

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              1688
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              21.86x16.92cm
              Inscription
              Lib. IV. Aen. v. 136. Tandem progreditur magna stipante caterva,/ usque 142.
              Location
              Bavarian State Library, Munich
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              Eimmart: Dido makes sacrifices

                While offerning a sacrifice, Dido pours a libation on a cow.

                Dido beim Opfer; sie vollzieht einen Weihguss auf ein Rind. (Suerbaum)

                Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 14.

                 

                 

                Comments

                Dido stands just right of center, pouring wine on a white cow being prepared for sacrifice (60-61). A fire is already burning on the altar in the center of the engraving and on the left is a priest washing his hands. Dido appears very regal, wearing sumptuous clothing, a crown, jewelry and a cloak. (Lucy McInerney)

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                1688
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                21.86x16.92cm
                Inscription
                Lib. IV. Aen. v. 60. Ipsa tenens dextra pateram pucherrima Dido,/ Candentis vaccae media intea cornua fundit,
                Location
                Bavarian State Library, Munich
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                Eimmart: The death of Anchises

                  Anchises dies, lying on a bed, surrounded by grieving Trojans, including Aeneas and Ascanius.

                  Anchises stirbt, auf einem Bett liegend, umringt von trauernden Trojanern, darunter Aeneas und Ascanius. (Suerbaum)

                  Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 13.

                   

                   

                  Comments

                  The last event Aeneas recounts briefly to Dido at Carthage is the death of his father Anchises at Drepanum (III.710-11), pictured here recumbent on a bed. Aeneas gestures above him, Ascanius clasps his hands at the foot of the bed, and all the Trojans in the room are openly lamenting. (Lucy McInerney)

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                  1688
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                  21.86x16.92cm
                  Inscription
                  Lib. III. Aen: v. 708. Heu genitorem, omnis curae casusque levamen/ Amitto Anchisen.
                  Location
                  Bavarian State Library, Munich
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                  Eimmart: Anchises offers a sacrifice at Italy

                    Anchises, standing in the bow of a ship, offers a sacrifice, as the Trojans see Italy and grazing horses on the bank.

                    Anchises, im Bug eines Schiffes stehend, bringt ein Opfer dar, als man Italien und am Ufer weidende Pferde sichtet. (Suerbaum)

                    Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 12.

                     

                     

                    Comments

                    This engraving corresponds to the Trojans first sighting of Italy. At line 525 Virgil describes Anchises’ libation: “tum pater Anchises magnum crater coronua induit implevitque mero, divosque vocavit/ stans celsa in puppi…” A few lines later, at 537 and 538, Aeneas sees the four white horses on the shore depicted in the picture. These horses, which Anchises interprets as an omen of war, are equivalent to the four white stallions of a Roman triumph. In the background are buildings, probably the city of King Latinus. (Lucy McInerney)

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                    1688
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                    21.86x16.92cm
                    Inscription
                    Lib. III. Aen. v. 525. Tum pater Anchises magnum cratera corona/ Induit implevitque mero: / usque 538.
                    Location
                    Bavarian State Library, Munich
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                    Eimmart: Aeneas leaves offerings at Actium

                      Aeneas leaves a shield fastened to a pillar and, chiseled into a stone slab, inscribes "Aeneas haec de Danais victoribus arma"; in the middle distance leafless trees show it to be winter-time.

                      Aeneas lässt einen Schild an einer Säule anbringen und in eine Steinplatte die Inschrift “Aeneas haec de Danais victoribus arma” einmeißeln; im Mittelgrund verweisen blätterlose Bäume auf die Winterszeit. (Suerbaum)

                      Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 11.

                       

                       

                      Comments

                      Aeneas and the Trojans spend a year at Actium. The change in seasons is marked by the trees. Aeneas is shown chiseling the inscription “Aeneas offers this armor from conquering Greeks,” into a stone. Above the slab the shield of Abas (286) hangs on the pillar of a temple. After this moment Aeneas and his men will return to the ships, which can just barely be seen in the harbor in the upper left background. (Lucy McInerney)

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                      Date
                      1688
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                      21.86x16.92cm
                      Inscription
                      Lib. III. Aen: v. 284. Interea magnum Sol circum volvitur annum,/ Et glacialis hyems aquilonibus asperat undas.
                      Location
                      Bavarian State Library, Munich
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