Münchener DigitalisierungsZentrum

Aeneas stands before two armies, bristling with lances in the background. The fallen Turnus, wearing the sword-belt of Pallas, has a sword in his the chest and over him flutters an owl. The engraving does not illustrate the verses XII 926f. with the wounding of Turnus in the thigh by the lance throw of Aeneas, but the closing verses XII 950-952.

Aeneas stößt- vor zwei lanzenstarrenden Heeren im Hintergrund- dem am Boden liegenden Turnus, der den Schwertgurt des Pallas trägt und über dem ein Käuzchen flatter, das Schwert in die Brust. Illustriert werdenalso nicht die Verse XII 926f. mit der Verwundung des Turnus am Oberschenkel durch den Lanzenwurf des Aeneas, sondern die Schlussverse XII 950-952. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 50.

The wounded Aeneas, who has removed his armor, leans on a spear, surrounded by Achates, Mnestheus and (far left) Ascanius, while the doctor Iapyx prepares a bandage, and warriors (front right) look through a drug case. Behind the back of the doctor a hovering Venus approaches with the miraculous healing herb Dictamnum.

Eine figurenreiche Szene mit mindestens 10 Gestalten im Vordergrund: Der verwundete Aeneas, dem man die Rüstung ausgezogen hat, stützt sich, umgeben von Achates, Mnestheus und (ganz links) Ascanius auf eine Lanze, während der Arzt Iapyx einen Verband vorbereitet und Krieger (vorn rechts) in einem Arznei-Koffer suchen. Hinter dem Rücken des Arztes schwebt die Venus mit dem wundertätigen Heilkraut Dictamnum heran. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 49.

This engraving shows fighting at the altar on which a fire is still burning; next to it a shocked priest stands. A rider misses a king, who has just fallen to the ground, with his lance. (This is probably not a Trojan attacking Latinus, but Messapus killing the Etruscan king Auletes.) Whether the warrior with the ax in his left hand at the altar is Aeneas is not clear.

Kampfgetümmel am Altar, auf dem noch ein Feuer brennt und neben dem ein entsetzter Priester steht. Ein Reiter verfehlt mit seiner Lanze einen zu Boden gestürzten König nur knapp. (Wahrscheinlich ist das kein Trojaner, der Latinus angreift, sondern Messapus, der den Etrusker Auletes tötet.) Ob der Krieger am Altar mit dem Beil in der Linken Aeneas sein soll, ist nicht klar. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 48.

Winged Opis floating on a cloud has shot Arruns with an arrow; he has fallen from his horse and is lying on the ground. In the left background a grave monument can be seen, which is mentioned at the beginning of the text passage.

Die auf einer Wolke schwebende geflügelte Opis hat Arruns mit einem Pfeil erschossen; er ist vom Pferd gestürzt und liegt auf dem Boden. Links im Hintergrund ist ein Grabdenkmal zu sehen, das zu Beginn der Textpassage erwähnt wird. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 47.

Cavalry Battle: Camilla falls from her horse, hit by a spear in the chest, and is caught by her companions; the mounted figure in the middle is obviously another Amazon.

Reiterschlacht: Camilla sinkt, von einem Speer in die Brust getroffen, vom Pferd und wird von ihren Gefährtinnen aufgefangen; die berittene Figur in der Mitte ist offenbar eine weitere Amazone. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 46.

Camilla lunges at the vanguard of the enemy riders and thrusts her lance in the chest of an unarmored mounted opponent.

Camilla stürzt sich an der Spitze ihrer Reiterinnen auf die Feinde und stößt einem ungepanzerten berittenen Gegner die Lanze in die Brust. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 45.

This engraving depicts the thick of the battle with warriors on foot, and one horse lying on the ground at the left. Some of the people are not safe to identify, for instance Aeneas never swings a lance against Mezentius. It is most likely the scene at X 794ff., in which Lausus protects his wounded father Mezentius with his sword and shield against the enemy, Aeneas.

Schlachtgetümmel unter Kriegern zu Fuß, doch liegt links ein Pferd am Boden. Bestimmte Personen sind nicht sicher zu identifizieren, jedenfalls schwingt Aeneas keine Lanze gegen Mezentius. Am ehesten handelt es sich um die Szene X 794ff., in der Lausus seinen verwundeten Vater Mezentius gegen den mit dem Schwert andringenden Aeneas mit den Schild schützt. (Suerbaum, p. 440)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 44.

Turnus robs the slain Pallas of his sword belt. There are foot soldiers, riders and a chariot with charioteer in the background.

Turnus raubt dem erschlagenen Pallas den Schwertgurt; im Hintergrund Fußsoldaten, Reiter und ein Zweigespann mit Wagenlenker. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 43.

Aeneas, standing in the bow of the flagship of his fleet, comes across sea nymphs, the former Trojan ships.

Aeneas, im Bug des Flaggschiffs einer Flotte stehend, begegnet auf dem Meer den Nymphen, den ehemaligen trojanishcen Schiffen. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 42.

A rider (probably Volcens) thrusts his sword into the chest of a falling warrior (probably Euryalus). Some dead bodies lie on the ground and the whole right half of the engraving is filled by riders with bristling spears.

Ein Reiter (wohl Volcens) stößt einem niedersinkenden Krieger (wohl Euryalus) das Schwert in die Brust: am Boden liegen einige Leichen; die ganze rechte Hälfte des Kupferstichs ist gefüllt von Reitern mit starrenden Lanzen. (Suerbaum)

Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 41.