Georg Christoph Eimmart

Eimmart: Ilioneus comes to King Latinus

    The Trojan emissary, decorated with olive wreaths and olive branches as a sign of peace, presents gifts to King Latinus enthroned in a hall with his entourage.

    Die trojanische Gesandtschaft, die mit Olivenkränzen geschmückt ist und Olivenzweige als Zeichen des Friedens mit sich führt, überreicht dem in einer Halle mit Gefolge thronenden König Latinus Geschenke. (Suerbaum)

    Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 30.

    Comments

    Ilioneus acts as emissary for the Trojans in the court of Latinus, explaining who they are and why they have come to Italy. He speaks to Latinus from lines 213 through 258. in the background are the statues of Latinus’ palace, described from lines 176 through 191. (Lucy McInerney)

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    Date
    1688
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    21.86x16.92cm
    Inscription
    Lib. VII. Aen. v. 192. Tali intus temple divum, patriaque Latinus/ Sede sedens, Teucros ad sese in tecta vocavit:/ usque 247.
    Location
    Bavarian State Library, Munich
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    Eimmart: Aeneas and the Trojans fulfill Anchises' prophecy

      Aeneas and his men sit in a circle on the grass at an unfolded table-cloth on which a bowl of fruit stands.

      Aeneas und seine Leute sitzen im Rund auf dem Rasen um ein ausgebreitetes Tafeltuch, auf dem eine Schale mit Früchten steht. (Suerbaum)

      Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 29.

      Comments

      This engraving depicts an important scene from Book VII. Aeneas and his men sit down to a meal in Italy but are still so hungry at the end of it that they eat the bread they used as plates or tables. Iulus jokes that they are eating their very tables, “heus, etiam mensas consumimus?” (116). In so doing, he fulfills a prophecy that had been made to Aeneas by his father, which he recalls at lines 124 through 127, saying that the Trojans would not find peace until they were forced by hunger to eat their tables. (Lucy McInerney)

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      1688
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      21.86x16.92cm
      Inscription
      Lib: VII. Aen: v. 107 Aeneas, primique duces, et pulcher Iulus,/ Corpora sub ramis deponent arboris altae:/ usque 147.
      Location
      Bavarian State Library, Munich
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      Eimmart: Aeneas leaves offerings for his nurse Caieta

        Aeneas leaves offerings for his dead nurse Caieta.

        Aeneas lässt Totenopfer für seine Amme Caieta darbringen. (Suerbaum)

        Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 28.

        Comments

        Book VII begins with a short epithet on the death of Aeneas’ nurse Caieta. In the engraving, a sheep has just been slaughtered, offerings are being burnt, and tributes have been set up. The ships in the background show that Aeneas and his men have just landed. (Lucy McInerney)

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        1688
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        21.86x16.92cm
        Inscription
        Lib. VII. Aen: v. 5 At pius exsequiis Aeneas rite solutis/ Aggere composito tumulit, etc./ usque 7.
        Location
        Bavarian State Library, Munich
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        Eimmart: Anchises shows Aeneas the fields of the blessed

          Anchises shows Aeneas and the Sibyl the fields of the blessed.

          Anchises zeigt Aeneas und der Sibylle die Gefilde der Seligen. (Suerbaum)

          Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 27.

          Comments

          Anchises sits between the Sibyl and Aeneas, teaching his son about the future of the Trojan race. All the souls waiting to be reborn fill up the background, mostly in military garb. There are five horses in the center of the field; horses are recognized as symbols of war, thus adding to the image of the future Rome as a powerful military state. (Lucy McInerney)

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          Date
          1688
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          21.86x16.92cm
          Inscription
          Lib. VI. Aen: v. 633. Dixerat: et pariter gressi per opaca viarum,/ Corripiunt spatium medium, foribusque propinquant.
          Location
          Bavarian State Library, Munich
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          Eimmart: Aeneas and the Sibyl see dead children by the Styx

            In the underworld Aeneas and the Sibyl see dead children on the banks of the Styx.

            In der Unterwelt sieht Aeneas mit der Sibylle am Ufer des Styx frühverstorbene Kinder. (Suerbaum)

            Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 26.

            Comments

            After having overcome Cerberus with the help of the Sibyl, Aeneas finds himself beyond the Acheron, on the banks of the Styx. The first thing he hears is the weeping of the infants that died early in life (426). They are shown as dark shades in the bottom right corner of the engraving. A beautiful detail is the boatman’s reflection in the water. (Lucy McInerney)

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            Date
            1688
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            21.86x16.92cm
            Inscription
            Lib: VI. Aen: v. 426. Continuo auditae voces, vagitus et ingens,/ Infantumque animae, flentes in limine primo:/ usque 529.
            Location
            Bavarian State Library, Munich
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            Eimmart: Aeneas tries to fight images in the Underworld

              Aeneas in the underworld under the elm tree pulls out his sword against the insubstantial visions of phenomena of monsters and is restrained by the Sibyl.

              Aeneas zückt in der Unterwelt unter der Ulme mit den nichtigen Träumen sein Schwert gegen Erscheinungen von Monstern und wird von der Sibylle zurückgehalten. (Suerbaum)

              Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 25.

              Comments

              Vergil describes this giant elm tree in the Underworld as the seat that "false Dreams" hold (quam sedem Somnia vana ten ere ferunt, 283-284). There are illusions clinging to each leaf in the engraving. The list of creatures from 286 to 289 include Centaurs, Scyllas, the hundred-armed Briareus, the Lernean Hydra, a Chimaera, Gorgons and Harpies and three-bodied Geryon. Most of these creatures can be seen behind the tree: a harpy hovers in the upper left hand corner above four centaurs, Cerberus the three headed dog lies beside the Chimaera. A giant snake curls in front of an other unknown fire-breathing creature in the center middleground. Aeneas trembles with sudden fear (290) and attempts to fight off the creatures before him, but the Sibyl explains that the creatures are incorporeal. (Lucy McInerney)

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              1688
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              Inscription
              Lib: VI. Aen: v. 282. In medio ramos annosaque brachia pandit/ Ulmus opaca, ingens./ usque 294.
              Location
              Bavarian State Library, Munich
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              Eimmart: Aeneas and the Sibyl in the underworld

                This engraving shows Aeneas and the Sibyl in the forecourt of the Underworld.

                Aeneas mit der Sibylle im Vorhof der Unterwelt. (Suerbaum)

                Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 24.

                Comments

                At the entrance to the underworld in lines 275 through 281 Aeneas encounters “pale Disease,” “sad Old Age,” “Fear,” “seductive Fame,” “filthy Need,” “Death,” “Pain,” “Sleep,” “evil Pleasure of the mind,” “death-dealing War,” and “insane Discord, her hair of vipers tied up with bloody bands.” This last one is seen in the right foreground of the engraving clutching three snakes in one hand. Aeneas and the Sibyl are illuminated by an unknown source of light, while the figures she gestures to are invariably in the dark. (Lucy McInerney)

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                Date
                1688
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                21.86x16.92cm
                Inscription
                Lib. VI. Aen: v. 273. Vestibulum ante ipsum, primusque in faucibus Orci/ Luctus et ultrices posuere cubilia Curae:/ usque 282.
                Location
                Bavarian State Library, Munich
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                Eimmart: Aeneas brings the Golden Bough to the Sibyl

                  Aeneas, kneeling with Achates in front of the Sibyl in the temple next to a cave, shows her the Golden Bough.

                  Aeneas, zusammen mit Achates vor der Sibylle im Tempel nebeneiner Höhle kniend, zeigt ihr den Goldenen Zweig. (Suerbaum)

                  Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 23.

                  Comments

                  Having found the Golden Bough with the help of Venus’ doves, Aeneas brings it to the Sibyl. She stands on the steps of her temple at Cumae, and the many caves of the Euboean cliffs makeup the background, as described at 42-43. (Lucy McInerney)

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                  Date
                  1688
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                  21.86x16.92cm
                  Inscription
                  Lib. VI. Aen: v. 210. Corripit extemplo Aeneas, avidusque refringit/ Cunctantem, et vatis portat sub tecta Sibyllae.
                  Location
                  Bavarian State Library, Munich
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                  Eimmart: Palinurus falls overboard

                    Palinurus falls from the stern of a ship into the sea, the God of Sleep flies away with a branch in his hand.

                    Palinurus stürzt vom Heck eines Schiffes ins Meer, der Schlafgott mit einem Zweig in der Hand fliegt davon. (Suerbaum)

                    Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 22.

                    Comments

                    This engraving captures the moment in Book V when Palinurus falls headfirst from the ship. The god of sleep first tried to convince the helmsman to take a nap by imitating a friend (841-846). When that failed he used the branch that can be seen in his hand as he flies away, the leaves of which are drenched in water from the river Lethe. Virgil says, “ecce deus ramum Lethaeo rore madentem/ vique soporatum Stygia super utraque quassat/ tempora, cunctantique natantia lumina solvit.” (Lucy McInerney)

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                    Date
                    1688
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                    21.86x16.92cm
                    Inscription
                    Lib. V. Aen: v. 841. -- puppique Deus consedit in alta/ Phorbanti similis: fuditque has ore loquelas:
                    Location
                    Bavarian State Library, Munich
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                    Eimmart: Neptune and his attendants

                      Neptune breaks his trip across the sea with his attendants.

                      Neptun bricht mit Gefolge zur Fahrt über das Meer auf. (Suerbaum)

                      Engraving from a German children’s picture-book version of the Aeneid by G. J. Lang and G. C. Eimmart, “A tapestry of Roman virtues as seen in Vergil’s Aeneas and his brave deeds, rendered in sparkling engravings, as illustrations of the remarkable deeds of antiquity, for the common benefit of noble youth,” (Peplus virtutum Romanarum in Aenea Virgiliano eiusque rebus fortiter gestis, ad maiorem antiquitatis et rerum lucem, communi iuventutis sacratae bono, aere renitens) (Nuremburg: J.L. Buggel, 1688), pl. 21.

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                      Creative Commons Attribution-NonCommercial-ShareAlike
                      Date
                      1688
                      Culture
                      Dimensions
                      21.86x16.92cm
                      Inscription
                      Lib. V. Aen: v. 820. Subsidunt undae, tumidumque sub axe tonanti/ Sternitur aequor aquis:
                      Location
                      Bavarian State Library, Munich
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