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            <title>Chapter 42</title> <!-- Insert the Correct Chapter Number -->
            <title level="m">A School Grammar of Attic Greek</title>
            <author>Dickinson College</author>
            <principal>Christopher Francese</principal>
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         <p>
            <emph rend="bold">42</emph> Before the rough breathing a smooth mute (π, τ, κ) is aspirated, becoming φ, θ, or χ. 
            This occurs in composition, elision, and crasis; also in oὐκ:</p>
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                  <cell role="data">ἐπὶ + ὁδός</cell>
                  <cell role="data">ἀπὸ ὧν</cell>
                  <cell role="data">παῖς τε ἤδε</cell>
                  <cell role="data">καὶ οἱ</cell>
                  <cell role="data">οὐκ</cell>
                  <cell role="data">become</cell>
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                  <cell role="data"> ἔφοδος</cell>
                  <cell role="data">παῖς θʼ ἥδε</cell>
                  <cell role="data">χοἰ</cell>
                  <cell role="data">οὐχ</cell>
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            <list><item><emph rend="bold">a.</emph> This change is merely another way of writing the same
               sounds (<ref target="file:///x:/Departments/Classics_Texts/schoolgrammarofa00goodrich_porson/HTML%20Files/Chapter-038.html"><emph rend="bold">38 c</emph></ref>). It is better in such cases (unless perhaps in
            compounds), and also easier, to keep the ancient sound of
            φ, θ, χ and so avoid distorting common words.</item></list>
            
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